Artworks that straddle the border between nature and handmade can create uncertainty in the minds of viewers. Is physical interaction allowed? Are special precautions expected if interaction is encouraged? If disruption to a piece occurs as a result of an interaction, is repair in order or is the result of audience engagement just an expected but random part of the ongoing artistic process?

These questions also arise in the minds of artists and the commissioners of environmental artworks. Unlike in gallery and museum settings where there are generally known and expected behavior for viewing artworks, outdoor exhibition spaces are a new frontier with developing standards. Aside from the ubiquitous, informational placard mounted on a post near a work, there is often nothing more to guide the visitor in their interest to investigate an installation. A sculpture that incorporates its setting, that becomes harmonious with, and assimilated into, the natural environment, has the potential to make itself and the surroundings a more heightened experience for the viewer. The interplay between the creativity of people and nature sparks the senses and sharpens awareness.

If the point of environmental art is to help viewers to become more attuned to their surroundings then the art must strive to invite the viewer into the creative process of both the artist and of nature. It need not be as blatant as an artist statement printed on a placard because it’s less of an intellectual exercise than a physiological one. Movement is critical for getting into the moment, for being of a time and in a place. Perhaps the best thing an artist can offer a viewer is the chance to become a little more aware of themselves. Outdoor art spaces hold the potential for that to happen.

A recent special event at the Shelburne Museum drew a large crowd on a perfect summer evening. I was there to welcome visitors to Fantasy Topography, my temporary, environmental art installation in a pine grove on the grounds. It was great to see lots of people walking around and in the sculpture. Many thanks to those who stopped by to chat, and to the staff for all they do to make an enjoyable time for those attending the museum’s once-a-month, Free Friday.