Posts in Dry Stone Walling
Long Train to Columbarium

The Connecticut columbarium wall work is out of the ground and on its way up. Since the last post, I’ve laid the foundation stones and brought the two ends to finished height. The list of ingredients grows as I discover additional stone sources. Starting with ledge scree I collected in Vermont, I’ve added fieldstone from dump piles near the cemetery, modified rip-rap from a local quarry and slate tailings from a Vermont gravel pit. Having a full complement of stone shapes and sizes keeps progress flowing smoothly.

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Center Cemetery Columbarium Wall: Crushed Stone Foundation

Between workshop instructing, DSWA examining and rainy days I’ve managed to get the crushed stone foundation in for the Center Cemetery columbarium wall. Stone piles have been dismantled at the town garage stockyard site and stone reloaded on a one-ton truck for transport into the cemetery. Next week will see guide frames set and the building begun on the 165’ long wall.

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Test Day at the Stone Trust in Vermont

Monday was all business at the Stone Trust center. Eleven candidates for Dry Stone Walling Association of Great Britain certificates put their heads down and applied themselves to the task of walling. The seven hour test required stripping out and rebuilding sections of 5’ high free-standing and retaining wall. Most candidates were successful in achieving the level of certification they were striving for.

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A Columbarium Wall

Soon, I will begin construction on a columbarium in a western Connecticut cemetery. The term columbarium is derived from the Latin columba, meaning dove. So, what do doves have to do with laying the departed to rest? Traditionally, a columbarium is a sepulchral structure with recesses in the walls to receive the ashes of the dead. The walls of cathedrals often have columbaria. But, prehistorically, those recesses were simply hollows in a cliff face, hollows sometimes shared by nesting doves. Thus, the dove became a symbol of love and peace. In the case of columbaria, the dove represents resting in peace.

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Mending Pasture Fences

The mending of old dry stone walls lies at the heart of the walling trade. It’s often where the beginner waller cuts his or her teeth in the craft. An old wall is a lesson book waiting to be opened. It teaches correct methods of construction by example, and offers many cautionary tales with full-color illustrations. Chapter by chapter, the story of a derelict wall section unfolds in reverse as it’s dismantled.

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Time Tested Wall

Twenty years after Van de Water’s death in 1968 I was asked, by the new owners of the property, to build a stone wall there. I gathered and moved enough loose stone from fieldstone dumps on the farmstead to fashion an 80’ length of decorative fence. The innovation I employed for the project was to erect convex batter frames to create wall faces with curved slopes. Twenty-seven years later, visiting the wall for the first time since it was built, I see that it has held up well. My idea to splay out the foundation stones turned out to be a good trick for stabilizing the structure in the long term. Time is the test of dry stone work. Wallers build with the faith that their skill in the craft will see the work through. I’m heartened when I see ancient stoneworks still standing tall and I’m proud of those I’ve built that continue the tradition.

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Built to Last: Dry Stone Design and Construction

In my presentation, I will offer a prescription for getting the most out of your building stone resources, and for performing field observations of existing dry stone structures with the aid of four key points for solid construction. The scope of the talk will range from practical advice on managing a building site to imaginative suggestions for creating stone-centric designs. The blending of greenscaping with grayscaping to foster ecological relationships, and echo historical patterns of land use, will be discussed in the session. I will offer ideas for addressing landscape erosion control issues with durable, sustainable dry stone structures.

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From Newgrange to Morrisville: Laying Loved Ones to Rest

Much of the art and architecture of ancient cultures was funerary. The Egyptian pyramids and the Taj Mahal, for example, are tombs. Artistic creations such as The Terracotta Army of the Qin Emperor and large pieces of pottery that marked Early Greek burials were artistic creations separate from the venerated human remains. Works I’ve done recently fall into both categories.

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The Sheep Shed

Over time, I’ve expanded the walling work that’s been the backbone on my career to include dry stone sculpture and environmental art. The designs typically take dry stone techniques and traditions into new territory. A concept will be explored through the lens of what’s known to have worked in the past. The core of a design is always some borrowed understanding. It might be my own knowledge gained from a previous project, or, it may be the experience of others made intelligible through observation and study. Design is applied comprehension. The creation of an art piece begins with fabrication and ends with installation.

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Free Stone

Working with “free stone” offers freedom from and freedom to. The basic rules of dry stone walling, as outlined by the DSWA, are simple and effective. When they’re applied, at home, for a client, in a workshop or during certification testing, no second-guessing is required. The path forward is clear if not always straight. To a large degree, the rules create freedom from uncertainty.

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Stone Trust Dry Stone Walling Workshop

Who pays good money to do hard labor on their weekend off? Are they a bunch of nuts? No, they’re two dozen good eggs who joined in on The Stone Trust’s dry stone walling workshop. Lead by DSWA instructors Andrew Pighills, Brian Post and me, they studiously applied the rules they learned for wall building and restored a long stretch of fence (originally constructed one hundred years ago by ten Italian masons) to its former glory. Thanks to all for a great weekend of walling.

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English Harbour Arts Centre Dry Stone Walling Workshops

Reflecting on the recently completed 2-day workshop at English Harbour Art Centre, I begin to see that perhaps the most useful function I perform as a walling instructor is offering permission to those in attendance to try something new. For a participant, the workshop setting is a green light at an intersection that otherwise would be blinking red. Because the building site has been prepared with footings dug, guidelines strung and stones laid out on the ground, around, the usual impediments to getting started building a wall have been removed. A participant feels free to act and is encouraged to begin.

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Turtagrø Dry Stone Walling Workshop in Norway

While the Northeast of the USA was sweltering, the weather in the Jotunheimen mountains of Norway was bracing. Cold winds and cloudy skies for the Turtagtrø dry stone walling workshop had me and the participants glad for some vigorous physical activity to stay warm. Of course, for the Norwegians it qualified as mild weather. As Morten gleefully pointed out, “If it’s not snowing, it must be summer!”

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Repairing a Dry Stone Retaining Wall

Due to a number of structural problems, an eight-year-old, dry stone retaining wall in Hanover, New Hampshire was dangerously close to collapsing. I was asked by the property owner to remedy the situation. The rebuilding of a 6’x30’ section of retaining wall is often a straightforward business. But because this wall was in a well established, backyard garden with poor access and little room to store materials at the site, the build was a logistical puzzle. Concern was added to those challenges when, as work commenced, a municipal sewer line was discovered to be located scarily close to the back of the wall.

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A Seating Wall

Here’s a little secret about building a dry stone wall on a busy construction site: work on the holiday. I spent the Memorial Day weekend constructing a seating wall for the Hall Art Foundation in Reading, Vermont. While packs of touring motorcyclists occasionally rumbled past on Route 106, bird song was the predominant sound track. No distractions from the other contractors, who are busy there on the weekdays, meant I could concentrate on the task at hand. I built two sections of wall beside one of the galleries at Vermont’s newest art museum.

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Cochecho Wall in the Snow

Trick-or-treaters had the trick played on them this autumn when a pre-Halloween Nor’easter dropped a foot of snow on our area. Witches and goblins don’t usually have to scale snowbanks to ring doorbells. And I don’t expect my stone supplies to disappear under a blanket of white stuff in October. But after a short delay, the project I had scheduled for last week got underway and a 100’ length of “singling” was produced for Cochecho Country Club. This style of dry stone walling is well suited to a materials supply constituted of boulders. The stone was resurrected from the remnants of an old field wall. The wall line was reestablished and a crushed-stone base installed.  

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