The imagery I drew on for the woodcut depicted the recently built sculpture, a slate floor that I designed and laid for our host, and a bird's eye view of the surrounding islands. Bordering the three scenes was a pattern adapted from a rug in the cottage where we stayed. The print extended my relationship to the land art beyond the time I spent making it. And it was a purely personal artwork produced in a manner that harkened back to my earliest artistic strivings. Sometimes the best direction forward is discovered by going back.
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