The subject of both talks focused on three questions: What makes sturdy dry stone constructions? Where does stone come from? Where do designs come from? In the second question, I pressed the point of seeking out alternatives to what has become the most common go-to place for stone procurement: The Home and Garden Center. I encouraged audience members to investigate six potential local resources: reclaim and reuse, quarry grout, farm dumps, gravel pits, scarified ground and loose bedrock. I suggested that by hunting for the treasures that may be laying just out of sight on the fringes of mainstream retail commerce they can reduce global environmental impact, construct works that are naturally compatible with their surroundings and keep their dollars circulating in the local economy.
Read MoreToday I’m transferring information from 60 pages of data onto a master plan for the stone-eye construction. Corner points in a grid of 6” squares are given numerical values that correspond to their position on the surface of the sculpture. The 32’ diameter sculpture will require more than 3,000 points-in-space to guide the construction.
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