Rock Springs Revisited

After decades of assessing the attributes of inanimate objects in a direct and uncompromising way, I find myself in terrain where taking that path of least resistance only leads down a slippery slope to nowhere special. From a distance, the long way around appears to be inefficient and wasteful, but once the trip begins, the side tracks and stops along the way become the definition of the journey. The people met, the conversations had, the agreements made, are memorialized in the installation that’s left behind. They become the substance, if not the point, of the project. The public work now belongs to those who meander by, and will, I hope, become their memory touchstone.

Environmental Art, Sculpture, TravelDan SnowNovember 22, 2015bsur, Cadboll, cadboll stone, featured, glenmorangie, glenmorangie distilllery, glenmorangie house, highlands, LVMH, rock springs, schmick, scotland, signet, tain, whisky

Rock Springs

Like other environmental art works I’ve done, Rock Springs is in, of and for its home place. The 32’x44’x5’ sculpture invites exploration. The interwoven coils of dry stone walls rise and fall underfoot as they’re traversed. Broad top stones elevate viewers above deep fissures separating the walls. Hand trimmed and set sandstone blocks comprise the double-faced walls, with architectural remnants repurposed for top stones.